ARTICLES/CHAPTERS:
'Talking Heads? Guillotined Women in the Revolutionary Afterlife'
French Studies, 76, 3 (2022), 350-65.
'Introduction: Death on stage: A never-ending ending'
In Jessica Goodman, ed., Last Scene of All: Representing Death on the Western Stage (Oxford: Legenda, 2022).
'The view from upstream: authority and projection in Fontenelle’s Nouveaux dialogues des morts'
In Daniel Jernigan, Neil Murphy & Michelle Wang, eds, The Routledge Companion to Death and Literature (Routledge, 2021).
‘L’au-delà comme lieu de mémoire? Projection, jugement et gloire dans Les Nouveaux dialogues des morts de Fontenelle’
In the proceedings of the conference 'Danses macabres d’Europe' (Paris, March 2019).
'Notice' on Le Panthéon français
In Cahiers Voltaire enquête on 'Voltaire et le Panthéon' (October 2018).
'‘Le peuple veut du sang’: The Guillotine and the General Will in Revolutionary Pamphlet Theatre''
In Ève Morisi & Birte Christ, eds, Death Sentences: Literary Language and State Killing (Oxford: Legenda, 2018).
‘’Se di me medesimo una commedia compor dovessi…’ Le sort du personnage ‘Goldoni’ sur scène’
In Clotilde Thouret, ed., Le Dramaturge sur un plateau. Quand l'auteur dramatique devient personnage (Paris: Classiques Garnier, 2018), pp. 155-67.
'Introduction: What, Where, Who is Posterity?'
Joseph Harris & Jessica Goodman, eds, Anticipated Afterlives: Envisaging Posterity in Early Modern France (= Early Modern French Studies, 40.1 (2018)).
‘Between Celebrity and Glory? Textual After-Image in Late Eighteenth-Century France’
(invited article) Celebrity Studies on 'Literary Celebrity', 7, 4 (2016), 545-60. Shortlisted for the 2016 Malcolm Bowie Prize.
‘A Case Study in Analysing Digitised Archive Data: Authors at the Comédie-Italienne, 1760-70’
Modern Languages Open (Jan. 2016). Available open access here.
‘’Le Néant de ce qu’on appelle gloire’: Post-Revolutionary Cultural Memory and the Dialogue des Morts’
Romance Studies, 33, 3-4 ( Jul.-Nov. 2015), 177-89. Winner, Romance Studies Early Career Essay Competition, 2015.
‘Jeux de pouvoir au Théâtre Italien. L’autorité de Goldoni, du texte à la scène (1762-64)’
Les Théâtres institutionnels (1660-1848) - Querelles, enjeux de pouvoirs et production de valeurs (= Revue d’Histoire du Théâtre, 261 (2014-1)), pp. 77-86.
‘Introduction’ with Elizabeth Benjamin
Fame and Glory: the Classic, the Canon and the Literary Pantheon (= MHRA Working Papers in the Humanities, 8 (2013)), pp. 1-9.
‘Personne to Personnage: Names, Fame and Identity Games in Eighteenth-Century Theatre’
Romance Studies, 31, 3-4 (Nov. 2013), 212-23.
‘L’Anonymat à la Comédie-Italienne au 18e siècle: un enjeu ou un outil?’
L’Anonymat de l’œuvre à l’époque moderne (= Littératures Classiques, 80 (2013)), pp. 123-34.
‘Introduction’ with Alex Stewart
Science and Literature: the Great Divide? (= MHRA Working Papers in the Humanities, 7 (2012)), pp. 1-15.
‘The Mask of Collectivity: Compositional Practices at the Comédie-Italienne’
Modern Language Notes, 126, 4 (Sept. 2011), 812-24.
BOOKS/EDITED COLLECTIONS:
Jessica Goodman, ed., Last Scene of All: Representing Death on the Western Stage (Oxford: Legenda, 2022)
Jessica Goodman, Goldoni in Paris: La Gloire et le Malentendu (Oxford: OUP, 2017)
Joseph Harris & Jessica Goodman, eds, Anticipated Afterlives: Envisaging Posterity in Early Modern France (= Early Modern French Studies, 40.1 (2018)).
Jonathan Bate & Jessica Goodman, eds, Worcester: Portrait of an Oxford College (London: Third Millennium, 2014) – including original research and writing of three chapters.
Goodman, Hostiou, Loncle & Roussillon, eds, Les Théâtres institutionnels au prisme de leurs querelles (1660-1848) (= Revue d’Histoire du Théâtre, 261, (2014-1)).
Elizabeth Benjamin & Jessica Goodman, eds, Fame and Glory: the Classic, the Canon and the Literary Pantheon (= MHRA Working Papers in the Humanities, 8 (2013)).
Jessica Goodman & Alex Stuart, eds, Science and Literature: the Great Divide? (= MHRA Working Papers in the Humanities, 7 (2012)).
CRITICAL EDITIONS:
Jessica Goodman et al., Palissot's The Philosophes: a Collaborative Translation (Open Book Publishers, 2021). Freely available here.
Jessica Goodman, ed., Commemorating Mirabeau: Mirabeau aux Champs-Elysées and other texts
(Cambridge: MHRA Critical Texts, 2017).
See review from H-France here.
Voltaire’s notes to Palissot’s preface to Les Philosophes
In Œuvres complètes (Oxford: Voltaire Foundation, 2015), 51a, pp.221-44.
An autobiographical article by Voltaire
In Œuvres complètes (Oxford: Voltaire Foundation, 2010), 45b, pp. 403-16.
ONLINE:
‘The Point of View of Posterity’
Guest blog for ‘Authors and the World’, April 2015.
‘Conference Report: Posterity in France, 1650-1800’
For conference website, March 2015.
Seminar reports for Cambridge Early Modern French Seminar
Oct. 2014-June 2015.
REVIEWS:
- Louis de Boissy, Théâtre, I, ed. Ioana Galleron, in French Studies, 75.4 (2021), 548-49.
- François de La Mothe Le Vayer, Dialogues faits à l’imitation des Anciens, ed. Bruno Roche, in French Studies, 70.2 (2016), 256.
- Ann Jefferson, Genius in France: An Idea and its Uses, in French Studies, 69 (2015), 562-63.
- Antoine Lilti, Figures publiques. L’invention de la célébrité, 1750-1850, in French Studies, 69 (2015), 535-36.
- André Morellet, Mémoires sur le XVIIIe siècle et sur la Révolution, ed. Dorothy Medlin & Kathleen Hardesty Doig, in Modern Language Review, 10.1 (Jan. 2015), 261-62.
- Beatrice Didier, Le Livret d’opéra en France au XVIIIe siècle, in Journal for Eighteenth-Century Studies, 37, 4 (Dec. 2014), 582-83.
- Jeremy L. Caradonna, The Enlightenment in Practice, in French Studies, 67 (2013), 558-59.
- Mladen Kozul, Le Corps érotique au XVIIIe siècle, in French Studies, 66 (2012), 563.
- Ed. Andrew Kahn, Representing Private Lives of the Enlightenment, in Modern Language Notes, 126, 4 (Sept. 2011), 921-22.
- Franck Salaün, L’Autorité du discours, in French Studies, 64, 4 (2011), 533-34.
- Elena Russo, Styles of Enlightenment, in French Studies, 63 (2009), 471-72.
'Talking Heads? Guillotined Women in the Revolutionary Afterlife'
French Studies, 76, 3 (2022), 350-65.
'Introduction: Death on stage: A never-ending ending'
In Jessica Goodman, ed., Last Scene of All: Representing Death on the Western Stage (Oxford: Legenda, 2022).
'The view from upstream: authority and projection in Fontenelle’s Nouveaux dialogues des morts'
In Daniel Jernigan, Neil Murphy & Michelle Wang, eds, The Routledge Companion to Death and Literature (Routledge, 2021).
‘L’au-delà comme lieu de mémoire? Projection, jugement et gloire dans Les Nouveaux dialogues des morts de Fontenelle’
In the proceedings of the conference 'Danses macabres d’Europe' (Paris, March 2019).
'Notice' on Le Panthéon français
In Cahiers Voltaire enquête on 'Voltaire et le Panthéon' (October 2018).
'‘Le peuple veut du sang’: The Guillotine and the General Will in Revolutionary Pamphlet Theatre''
In Ève Morisi & Birte Christ, eds, Death Sentences: Literary Language and State Killing (Oxford: Legenda, 2018).
‘’Se di me medesimo una commedia compor dovessi…’ Le sort du personnage ‘Goldoni’ sur scène’
In Clotilde Thouret, ed., Le Dramaturge sur un plateau. Quand l'auteur dramatique devient personnage (Paris: Classiques Garnier, 2018), pp. 155-67.
'Introduction: What, Where, Who is Posterity?'
Joseph Harris & Jessica Goodman, eds, Anticipated Afterlives: Envisaging Posterity in Early Modern France (= Early Modern French Studies, 40.1 (2018)).
‘Between Celebrity and Glory? Textual After-Image in Late Eighteenth-Century France’
(invited article) Celebrity Studies on 'Literary Celebrity', 7, 4 (2016), 545-60. Shortlisted for the 2016 Malcolm Bowie Prize.
‘A Case Study in Analysing Digitised Archive Data: Authors at the Comédie-Italienne, 1760-70’
Modern Languages Open (Jan. 2016). Available open access here.
‘’Le Néant de ce qu’on appelle gloire’: Post-Revolutionary Cultural Memory and the Dialogue des Morts’
Romance Studies, 33, 3-4 ( Jul.-Nov. 2015), 177-89. Winner, Romance Studies Early Career Essay Competition, 2015.
‘Jeux de pouvoir au Théâtre Italien. L’autorité de Goldoni, du texte à la scène (1762-64)’
Les Théâtres institutionnels (1660-1848) - Querelles, enjeux de pouvoirs et production de valeurs (= Revue d’Histoire du Théâtre, 261 (2014-1)), pp. 77-86.
‘Introduction’ with Elizabeth Benjamin
Fame and Glory: the Classic, the Canon and the Literary Pantheon (= MHRA Working Papers in the Humanities, 8 (2013)), pp. 1-9.
‘Personne to Personnage: Names, Fame and Identity Games in Eighteenth-Century Theatre’
Romance Studies, 31, 3-4 (Nov. 2013), 212-23.
‘L’Anonymat à la Comédie-Italienne au 18e siècle: un enjeu ou un outil?’
L’Anonymat de l’œuvre à l’époque moderne (= Littératures Classiques, 80 (2013)), pp. 123-34.
‘Introduction’ with Alex Stewart
Science and Literature: the Great Divide? (= MHRA Working Papers in the Humanities, 7 (2012)), pp. 1-15.
‘The Mask of Collectivity: Compositional Practices at the Comédie-Italienne’
Modern Language Notes, 126, 4 (Sept. 2011), 812-24.
BOOKS/EDITED COLLECTIONS:
Jessica Goodman, ed., Last Scene of All: Representing Death on the Western Stage (Oxford: Legenda, 2022)
Jessica Goodman, Goldoni in Paris: La Gloire et le Malentendu (Oxford: OUP, 2017)
Joseph Harris & Jessica Goodman, eds, Anticipated Afterlives: Envisaging Posterity in Early Modern France (= Early Modern French Studies, 40.1 (2018)).
Jonathan Bate & Jessica Goodman, eds, Worcester: Portrait of an Oxford College (London: Third Millennium, 2014) – including original research and writing of three chapters.
Goodman, Hostiou, Loncle & Roussillon, eds, Les Théâtres institutionnels au prisme de leurs querelles (1660-1848) (= Revue d’Histoire du Théâtre, 261, (2014-1)).
Elizabeth Benjamin & Jessica Goodman, eds, Fame and Glory: the Classic, the Canon and the Literary Pantheon (= MHRA Working Papers in the Humanities, 8 (2013)).
Jessica Goodman & Alex Stuart, eds, Science and Literature: the Great Divide? (= MHRA Working Papers in the Humanities, 7 (2012)).
CRITICAL EDITIONS:
Jessica Goodman et al., Palissot's The Philosophes: a Collaborative Translation (Open Book Publishers, 2021). Freely available here.
Jessica Goodman, ed., Commemorating Mirabeau: Mirabeau aux Champs-Elysées and other texts
(Cambridge: MHRA Critical Texts, 2017).
See review from H-France here.
Voltaire’s notes to Palissot’s preface to Les Philosophes
In Œuvres complètes (Oxford: Voltaire Foundation, 2015), 51a, pp.221-44.
An autobiographical article by Voltaire
In Œuvres complètes (Oxford: Voltaire Foundation, 2010), 45b, pp. 403-16.
ONLINE:
‘The Point of View of Posterity’
Guest blog for ‘Authors and the World’, April 2015.
‘Conference Report: Posterity in France, 1650-1800’
For conference website, March 2015.
Seminar reports for Cambridge Early Modern French Seminar
Oct. 2014-June 2015.
REVIEWS:
- Louis de Boissy, Théâtre, I, ed. Ioana Galleron, in French Studies, 75.4 (2021), 548-49.
- François de La Mothe Le Vayer, Dialogues faits à l’imitation des Anciens, ed. Bruno Roche, in French Studies, 70.2 (2016), 256.
- Ann Jefferson, Genius in France: An Idea and its Uses, in French Studies, 69 (2015), 562-63.
- Antoine Lilti, Figures publiques. L’invention de la célébrité, 1750-1850, in French Studies, 69 (2015), 535-36.
- André Morellet, Mémoires sur le XVIIIe siècle et sur la Révolution, ed. Dorothy Medlin & Kathleen Hardesty Doig, in Modern Language Review, 10.1 (Jan. 2015), 261-62.
- Beatrice Didier, Le Livret d’opéra en France au XVIIIe siècle, in Journal for Eighteenth-Century Studies, 37, 4 (Dec. 2014), 582-83.
- Jeremy L. Caradonna, The Enlightenment in Practice, in French Studies, 67 (2013), 558-59.
- Mladen Kozul, Le Corps érotique au XVIIIe siècle, in French Studies, 66 (2012), 563.
- Ed. Andrew Kahn, Representing Private Lives of the Enlightenment, in Modern Language Notes, 126, 4 (Sept. 2011), 921-22.
- Franck Salaün, L’Autorité du discours, in French Studies, 64, 4 (2011), 533-34.
- Elena Russo, Styles of Enlightenment, in French Studies, 63 (2009), 471-72.